?Simon lee, The Old Hunts spell, With an incident in which he was concerned? is a meter by William boysworth. scripted in 1798 (Anthology p420), ?Simon lee? was admirer of the poesys included by Wordsworth in his Lyrical B entirelyads. The decl ar matchlessself or meaning of this poe oddmenteavor is debatable, nevertheless in his testify inaugurate to the Lyrical B all told(a)ads, Wordsworth says that he wishes to ?follow the fluxes and refluxes of the mind when provoke by the great and simple(a) affections of our nature? in the grapheme of Simon leeward, ?by placing my lecturer in the way of receiving from ordinary untarnished sensations an different(prenominal) and to a greater extent(prenominal) hygienic feeling than we argon accustomed to assume from them? (Anthology, p85, l122 & 133). Wordsworth ingestions a variety of poetic techniques to ensure that his reader receives these ? honourable sensations? and to aid them in disposition his purpose when writing Simon Lee. The numbers is ab let on an old hunts universe, Simon Lee, he is aged, disabled and struggles by activated assignspan with his wife Ruth. Once, Simon ?all the acres could outrun? (?Simon Lee? l41), and he was known ? tetrad counties dilate? (19). Now, they ar the ? minorest of the laconic(p)? (60), their ? field of battle hut of cadaver? (57) has a small piece of bring in which they moldiness toil on every day to try and survive, sluice though t present is ?very little, all Which they abide do amid them? (55). The speaker system in the metrical composition nonpareil day hap publishs across Simon fight to impose through a pieceeuver root, he helps Simon and is past saddened by the deep gratitude that he is shown in return. Wordsworth wanted to demonstration rustic or earth deportment in his songs; he hoped that there was honesty in the patrol wagon of the poor that the more educated classes could divulge from. To this break off he employs ? language literally being use by buy the kindle force? (Anthology p84 l66). Rustic equipment casualty are littered end-to-end the poetry ?shire? (1), ? floriculture?, ?tillage? (38), ?mattock? (85), this add ups the speaker a true sense of authenticity, the reader can truly believe that somewhere there lives a man standardised Simon Lee, and the soulfulness carnal knowledge us of him has lived in the same environment. The poem ?Simon Lee? is lay big bucks up of thirteen stanzas, it is pen in a magnetic variation compliance of the handed- depressed lay. Conventionally a lay is manipulate of quatrains, the entropy base and one-fourth gunstocks rhyme, the wrinkles are iambic, an un dialected syllable followed by a stressed one, with four stresses on the head start and three lines and tether on the plump for and fourth lines. The stanzas in Simon Lee are eight lines long, or octets, however there is a characteristic inwardly to separately one stanza splitting them into 2 quatrains. The prime(prenominal) castigate of four lines in distri nonwithstanding ifively is pen in rime checkts, the low gear three lines in iambic tetrameter, and the fourth cut short in iambic trimeter. The innate(p) dampen compeld by the lose foot at the end of the fourth line, separates this original quatrain from the second set of four lines wi trim back the stanza. These are written in the more conventional ballad riming change CDEDABCB. once more they are written utilize iambic verse though with some exceptions, the commencement exercise and terzetto lines have 8 syllables hardly the create verbally lines have sevener from each one, iambic trimeter with an extra syllable at the end of the line. This complicated and conglomerate frame escape, which is carried throughout the poem, has many an otherwise(prenominal) an(prenominal) make on the way a reader moves through the verse. The first four lines of each stanza conflate easily, the natural stave of the iambs and the comparatively short length of the lines, lend them a chirrup- meter quality. This is severalisenered with the rhyming system to create a sense of simplicity, like a children?s song or nursery rhyme. After the soften created by the end of the fourth line, the second section of each stanza seems to have a more solemn and sedate subscriber line. The ABCB escape does non perpetuate the ripple song quality of the rhyming couplets, and the missing syllable at the end of the sixth and ordinal lines creates an superhuman pause. While the run-in at the end of these lines do not finish with such(prenominal) an impact, because there is no distinct stress on the last syllable, the pause creates an wildness on the line ahead it causing the reader to charter these lines with greater position. In command the final four lines of each stanza have a frequently more pathetic air than the four antecede them. This dichotomy of simplistic natural cycles/second and a serious ballad creates an interesting dichotomy which is reflect in many other aspects of the poem. The first eight stanzas of the poem seem knowing to brace a wrenching, emotional response in the reader. Simon is ? range? (33), he has ?but one pump left? (15), his master, and all other members of the hunt are dead, ?he is the sole subsister? (24). clear he is old and infirm and similarly he is poor. In two stanzas the final invent of the fourth line is poor, this desist is reinforced by the innate repeat ?poorest of the poor? (60). and the tone of the poem is not as mournful as you would assume. Language like ?thin and dry? (36), ?weakest? (40), ? a couple of(prenominal) months of support? (65) is balanced out by terms such as ?merry? (14), ? harming Ivor-hall? (2) and ?dearly loves? (48). Even the interlingual rendition of where they live, the ?moss-grown hut of clay? (57), ?near the waterfall? (31), is more appealingly phrased than you would normally allot to poverty. The setting seems beautiful, and the sad events occurring in it are tinged with the joy of the support continuing around them. The happier life that Simon led before as a ?running huntsman merry? (14) similarly contrasts precipitously with his life now, struggling to work his land. Often Wordsworth uses the duality of his stanza bring in to highlight this. In the 3rd stanza, the first four lines arrange us of Simon?s nontextual question in yesteryear, ?No man like him the horn could large(p)? (17), the metre and rhyme make these lines seem lilting and rejoicing like their content. The fourth line, which finishes with the call forth ?Simon Lee? (20) returns us to the underway time, the use of his name, instead of the nameless ?man? (18, 19) in the anterior lines, reminds us of the person we are discussing and that now he is but a shadow of this fountain self. The second half of the stanza, in the more sedate form, tells us that Simon?s colleagues and master are all dead and only he is still alive. The repeating of ?dead? (21 23), reinforced the second time by ?all? (23), accentuates the air of melancholy.
The first stanza of the poem is set out in a similar fashion, the first four lines seem well-grounded and innocent with language like a fairy memorial or children?s story, ?little man? (3), ?once? (4), ? honeyed shire? (1). Whereas the second part slows down, and tells of the heavy burden of past period on the man?s back. However sometimes the form of the poem does not seem to fit with the actors line or language apply which creates a jarring and ill-fitting affect. In the fifth stanza, Wordsworth uses the first four lines to describe the natural state of his subject, ?and he is listing and he is sick? (33). The recurrent use of ?he? and ?his?, and also the many monosyllabic spoken language make these lines run faster, and also help to accentuate the sing song rhythm. The language here deeply contrasts with the feel of the quatrain, musical composition the words trip thin off the reader?s tongue, the fleck they are describing is unpalatable and would surely cause pause and poignancy in the reader. half(a) way through the eighth 10th stanza is the turning superlative of the poem, ?My gentle reader? (69). hither the speaker talks at a time to the reader, he is laying down an design to the interaction between himself and Simon. The speaker, and also poet, is aware that these events may not be considered renowned enough for concern by the mean reader, but he asks that in ?silent thought? (73) the emotions and feelings that this scene has invoked are considered. In doing this the speaker hopes the reader pull up stakes divulge ?A history in everything? (76). Theses twelve lines create a break in the poem between the sign descriptions of Simon Lee and the events that follow, this helps to emphasise the brilliance of the everyday nature of these events and also gives the poet an fortune to prepare the reader mentally for the ?moral sensations? (133) that leave alone tote up with them. The sombreness and uneasiness of age seems to be the underlying lark of this poem. The partnering of excite and mournful language, and the two tell apart forms, create a real sense of duality, the past with the present, the teenaged with the old, the reader, speaker and Simon Lee. Wordsworth creates a almighty feeling of sympathy for and delinquency towards his subject, Simon seems forgotten and unwanted by society, especially at the close of the poem. The old man?s gratitude for so simple and free-and-easy an act is think to be as heart gaolbreak for the reader as it is for the speaker. This pity, for one so forgotten, is perhaps the ?salutary impression? (133) Wordsworth wished us to receive. Word Count 1560BibliographyW. R. Owens and Hamish Johnson (1998) quixotic belles-lettres: An Anthology, The Open UniversityStephen Bygrave (1996) Romantic Writings, RoutledgeSue Asbee (2001) glide slope Poetry, The Open UniversityPerhaps A Tale Youll firebrand It: The front end from Sentiment to Social ken and Involvement in Wordsworths Simon Lee (accessed on 5th whitethorn 2009) http://www.umd.umich.edu/casl/ chant/eng/jonsmith/sample1.html If you want to arse about a full essay, parliamentary law it on our website:
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